How to evaluate the Joker by Joaquin Phoenix?

By Mickey May 13th, 2020

This is a precedent. The Joker does not need a clear origin story on the screen, but you will definitely show a "smile" when accompanied by the Joker played by Joaquin Phoenix for two hours. So far, this movie has gone deeper, darker, and more disturbing than any comic film. The Joker can be said to be a breakthrough in screen image. Is it a superhero or a supervillain?

At least one thing is impossible to exaggerate. "Joker" is different from contemporary comic films in structure, tone and morals. The documentary-like documentary means make it more like "Taxi Driver" and "King of Comedy" than "Avengers." And "The Dark Knight". On many levels, this is the most challenging, subversive and nihilistic comic film ever.

The footage was given to Arthur Frank, who was putting on makeup, preparing for his Joker work during the day, and his face was twisted into a terrible grimace that half smiled and half cryed-this is an involuntary pathology caused by a neurological disease As a result of sexual laughter, the government-funded treatment did not provide much relief. Arthur and his sickly mother lived in a dilapidated apartment building, but as a stand-up comedian, nothing happened. Almost everyone he met expressed contempt or complete hostility towards someone like him. His life kept hitting him, but after a violent conflict in a subway car, everything started to change terribly.

Arthur's fall is a reflection of Gotham's own decline. In 1981, rubbish piled up on the corner of the street, the "super mice" were so busy that Thomas Wayne was running for mayor. Wayne is by no means an unselfish entrepreneur. He is a disgusting person, and he apologizes on TV to declare that Gotham’s citizens are “The Joker”. The obscene economic divide between the rich and the poor continues to widen, and the Joker puts his fingers on the pulse of politics and society in an unexpectedly bold way. Simply put, Gotham is a gunpowder barrel, and the Joker lit the fuse in the perfect position.

Jacques ’performance here is surprising, which should not be surprising. He discovered a new interpretation of cliché-like characters, he felt like Jack Nicholson (1989, played the Joker in "Batman") and Heath Ledger (2007, in "Batman" : Playing the Joker in The Dark Knight) The indelible interpretation of this character is performed in his own way and is more decisive. Physically and psychologically, this is a very interesting performance. Phoenix lost 52 pounds of weight, his skeleton was twisted into a disturbing shape, and he ran in a funny way, which looked like sticking oversized shoes to the soles.

We may feel a little disappointed, because the joker played by Joaquin Phoenix is not a fully formed, happy and cruel criminal planner in the comics, but after all, this is an original story. But there are a few obvious joke-like scene producers that have not been destroyed here. Arthur made a funny laugh, that's the best-a squeaky, squeaky gurgle, you would think that Arthur did it deliberately, which is the same as he is often forced to endure The terrible hysterics formed a stark contrast. In this film, there is a more unusual, but full of emotional scene, Arthur broke out a quiet solo routine after a period of extreme trauma-a calm after the storm, a series by Joaquin Phoenix's carefully shot lens makes a man spinning in a dirty swamp look like an idyllic poem.

Interestingly, the The Joker of the past were defined by their humor and sadism-like insanity. Arthur ’s typical characteristics are indeed mental illnesses. Joaquin Phoenix resonated so strongly with Arthur that the terrible setbacks he faced, including a serious disappointment with his government mental health care system, were so frustrating. Somehow, even if Arthur began to cross unreasonable boundaries, this deep sympathy still exists. Through the passionate and extremely exciting final scene of the film, you can feel Arthur ’s injustice towards the world. This anger is unstoppable. Although his actions cannot be justified, they are clearly understood.

The director and screenwriter of "the joker" is Todd Phillips (Todd Phillips), his most famous work is "The Hangover" trilogy. The perfect combination of Phillips and the ace villain has become a hallmark of his movie. The aesthetics of the early 1980s in the movie are so convincing that it almost feels like a movie by Scorsese's contemporaries. The almost omnipotent background noises — phone ringing, dog barking, TV buzzing — slowly pushed you against the wall, showing Arthur's own mental state.

There is a drawback that drawing so blatantly from Scorsese ’s works in the late 1970s and early 1980s makes “The Joker” a film that completely exists in the shadow of the horseshoe, but it publicly recognizes this shameless Theft escaped the punishment. Several supporting roles are also a bit thin, and the neighbors played by Zazie Beetz's favor with Arthur is the most obvious example.

However, this Joker show from beginning to end, Arthur won the audience applause. Of course, he is not performing magic with a pencil, nor is it to make Gotham surrender with laughter. This Joker is as reasonable and charming as the Joker before him, and he performs better without being bound by the larger universe. If the DCEU (DC Universe) fails to find a successful and consistent tone in its films and gets this quality of radical standards by mistake, then this may be the wisest film company that has struggled so far Move.

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